The Lion King

 

While the Disney Renaissance presented us such great classics like "The Little Mermaid", "Beauty and the Beast", and "Aladdin", they released another movie that has talking lions and other talking animals and such great wonder also known as "The Lion King". Before I begin, let me ask one question: Why is it that every movie you have saw just literally become such great classics? It's because of their creative efforts and mere pride and this movie is one of them.

The story tells of a young cub named Simba (Jonathan Taylor Thomas), the son of Mufasa (James Earl Jones) who is destined to become king of the Pride Rock. One day, Simba's ruthless evil uncle Scar (Jeremy Irons) plots to take over Pride Rock by killing his father and tricks Simba into feeling guilty which causes him to flee from the kingdom never to return. Once he disappears, he meets two friends named Timon, a meek rat, and Pumbaa, a warthog who helps teach him the meaning of "Hakuna Matata". A few years later, after reuniting with his friend Nala, Simba, now an adult (Matthew Broderick) realizes that he doesn't know who he is anymore and is aware that Scar has destroyed everything that the lions had hunted for. He is then persuaded to return to Pride Rock and must overthrow his uncle to restore the kingdom to its rightful place.

After its success at the box office with $783 (Now $912) million dollars which marks this movie as the 32nd highest grossing feature film, everything else has been praised due to Disney and their intelligence.

The music score by Hans Zimmer and the songs written by Elton John and Tim Rice were considered to be successful in cinema history, The animation and characters were very memorable, The acting was superb and the cinematography was terrific.

The Lion King is one of the greatest animated movies of all time and is one of my childhood favorites that will teach me that this movie means no worries. Thank you Disney. With your charm and brilliance, a thumbs up from me.

10/10

Back to the Future

 
Back to the Future is one of those rare, almost forgotten, pieces of pop culture that, surprisingly, draws little attention to itself. Unlike such notable gimmicks as Star Wars, Indiana Jones, Jaws, and Independence Day, there aren't any low-budget leeches trying to imitate off this work and cash-in on its success. This is due to the near flawless script. Why it didn't win an Oscar, you're guess is as good as mine. Making a time-travel storyline as in this movie that doesn't fall into plot holes the size of Terminator's is exceptionally difficult. I'd know.

The film starts slow, and gradually accelerates as it progresses. You could almost call it a Jerry Bruckheimer movie for kids with Spielberg's trademark nostalgia. The characters themselves are typical stereotypes for a movie like this and none of them, not even Marty himself, gel with potential. In some ways it's as if MAD magazine made the film in an attempt to be serious.

With such an automotive obsession as this film has, one must wonder if George Lucas was involved.

Overall, I have to praise this movie for its inventiveness and originality, even if it created most of our time-travel cliches. 4 out of 5 stars. Well worth your time.

The Good, The Bad, and The Ugly

 

On a partial first viewing, I didn't like "The Good, the Bad and the Ugly." I thought it was a slow, tedious story about a bunch of unpleasant jerk characters involved in a bog-standard conflict over money. It all seemed very macho and self-consciously cool, and it had obviously inspired all the overrated macho directors I don't like in my own generation - Tarantino, for example, and Robert Rodriguez. In short, I was unimpressed.

Years later, after hours of convinsing by my dad I gave the film a second shot, watching it all the way through this time. I loved it. What had changed?

For one thing, I took more notice of the technical side of the film. I paid attention to Leone's famous use of close-ups, his selection of memorable character actors, and his wonderful scene-setting. I admired the detailed sets and the sweeping landscapes, the props and the costumes and all those weird, wonderful faces that Leone clearly loved to photograph.

I also got hooked by some of the quieter moments that I had skipped over in my first viewing. One of the most effective scenes involves Eli Wallach's character, Tuco, quarreling with his brother when they meet after they've been apart for years. Their argument is great, emotionally charged stuff, made all the more effective by the suggestion that they really do love and care about each other. It's the kind of sensitive, human scene you never get to see in a Tarantino or Rodriguez movie.

Before I get too fuzzy-wuzzy, I should also like to point out that, on my second viewing, I LOVED all the action, too. Every gunfight is great, in its own way, and they're all a bit different. The greatest of them all is, of course, the final confrontation between the trio, which is accompanied by some of the most rousing music I've ever heard in a film. And hey, there's even a huge Civil War battle to provide a change of pace from all the small-scale action.

Ultimately, "The Good, the Bad and the Ugly" is probably just a potboiler of a film, without too much to say about, for example, the human condition. But what a potboiler! It doesn't have to try to be cool - it simply IS cool. In fact, it probably defined heroic coolness for an entire generation. Eli Wallach's performance, Leone's direction and Morricone's music alone are enough to elevate it to classic status - and the fact that everything else in the movie is great, too, helps elevate it to the level of perhaps the greatest action film ever made.

And to think, I missed all that the first time through...

Blog award

So i have been nominated by TheRandomGuy for the Leibster award.
And  I'm very surprised and pleased. Thanks a lot bro, I appreciate it.

 

(Shameful copy pasting):

So pretty much, here are the rules to accept the award:

• Link back to the person who gave you the award.
• Pick 5 people deserving of the award and notify them on their blogs.
• Post the award on your blog and spread the love.

 so now i have to pick 5 people who deserve the award:

1.  Baur
2. My2Pesos
3.  Come at me bro
4. Zyu
5.  Shockgrubz

Gratz, you deserve it 

Saving Private Ryan

 

It gives a million reason why no one should go to war and one very powerful reason to go to war. It is a soul numbing realistic depiction of what our grandfathers, fathers, uncles, brothers and sons have faced in humanities darkest moments. Not just in WWII but in any war. No one can see this movies without being altered in some way. No one should miss it with the EXCEPTION of those war veterans that have already been there. The surround sound puts the audience in the middle of the battle.

Steven Spielberg has out done himself and effectively held up a mirror to civilization for events to which we should all be ashamed of, rather than appalled at the movie for its real life depictions. I suggest that this movie be made standard view for congress as well as the President each and every time the question of war comes up. This movie would not stop future wars but I would hope the objectives would be much more clearly defined. I say this as a US Marine.

Gladiator

This is wonderful storytelling. The opening Battle Scene simply mesmerizes, showing the brutal nature of combat for Roman conquests. I went back to see the film again. The first time I didn't hear anything Crowe said before the battle. I was just too visually caught-up. The second time I listened very closely and caught the wise yet succinct line from Maximus "what we do in life... echoes in eternity." Awesome.

A simple man v. an emperor. I just loved the resilience Maximus showed throughout the movie. I find in most movies, there is an irritatingly slow process where the character has to "find himself," not so with Gladiator. Maximus does what is needed.

I liked how there were only two or three issues within this film. One was the afterlife. Aspects of the afterlife are opened, but not overdone. Love of family is given sizable focus. I liked the theme of love of country that we see as well, although it may not be justly deserved, it is never questioned.

The visual effects were amazing. It actually had me wanting to believe that's the way Rome actually looked in all it's glory. The battle of Carthage reenactment was really great.

The ending is just hypnotic. Intentionally or unintentionally it was simply emotional. The music is wonderfully beautiful as if Maximus' family are telling him...you have arrived.

Bottom line: magnificent. Visually and emotionally satisfying.

Batman - The Dark Knight

 

I had the honor of watching TDK during a screening and was completely blown away! This isn't just the best Batman movie ever made, this is one of the best movie ever made. Everything in this film is excellent, not one piece of annoyance.

Bale marvels as Bruce Wayne/Batman, Ledger has made The Joker in to an iconic movie villain. His performance belongs there at the top with Hopkins Lecter. The Joker has finally been portrait properly on film, he has earned his place between the big boys in movie villandom. This is the true Joker every Batman fan knows, loves and fears. Ledger deserves any and every movie award known to man for this brilliant display.

Nolan has made his "I will always be remembered" movie, this is the crownjewel in his portfolio. Perfect directing, perfect story, perfect balance between action and drama, everything is perfect.

Even if you hate Batman, you will love this film. If you don't, then something beez wrongz with youz!

 

Christopher Nolan (and cast) have pulled off what I hadn't dared to dream - a Batman every bit as good as Burton/Keaton's vision - and eradicated the camp, feverish memories of Clooney, Kilmer and (cough..) O'Donnell.

The story is as good an origin story as you'll find - covering all the major (true-to-the-comic) events, and not wasting ages on them. We see Wayne's all-important training period (previously ignored), and his connection to the Tibetan shadow-ninja clan led by Ra's Al Ghul. We see Bruce come up with ideas for his symbol, his costume, his gadgets, his car, his cave - IT ALL FITS SO PERFECTLY.

That's not all - Liam Neeson is perfect (as ever, when Lucas isn't writing his lines), Batman's first mad nemesis (the Scarecrow) is genuinely frightening; with some outstandingly scary 'fear' effects.. Gary Oldman looks just like a young Commissioner Gordon (and doesn't dominate), Morgan Freeman and Rutger Hauer give solid heavyweight support to the boardroom machinations at Wayne Enterprizes. I love Michael Gough(?) but Michael Caine is great as Alfred. It's only Katie Holmes who didn't ring true for me - not because of her performance, but simply because she looks all of 15 years old (sorry Katie). I am always blown away by Christian Bale, and this is no exception.

The fights are great, the Bat-gadgets all there, the car is amazing, the plot is thorough and exciting, Gotham looks great, Batman really is frightening & menacing (and lethal!).. And the scenes with the bats themselves FINALLY get across the idea of how scary they can be.

There is some humour, but it's fairly dry. The soundtrack, like all the best original soundtracks, is excellent - you hardly know it's there, but the emotions of the scene are enhanced and boosted. For the most part this is a serious Batman film, with plenty for long-time fans. This NEW Batman is one I'd like to see again. Bravo Mr Nolan, bravo.




Also i feel in love with this actor (no-homo):

Started watching every single movie by him.

Fight Club

 

The script was tight, the theme fascinating, the acting incredible (especially Edward Norton, as one might expect), the direction inspired, and the cinematography stunning. It is one of the few films of the past five years that deserves to be seen multiple times. In fact, if you have seen it only once, you have missed something. I was seriously hoping the movie would receive Oscar nominations for Best Actor (Norton), Best Screenplay, Best Director, Best Cinematography and Best Picture.

So, how is it that the film received no nominations? Unfortunately, it had a mismatched ad campaign. The ads made it seem like the movie was about street boxing, instead of a intellectual and emotional ride through a man's psyche as he takes a strange path toward rebellion against consumer society. As a result, most who went to see it were disappointed, and those who would recognize its brilliance stayed far away from the movie theaters. This is one of the most underrated movies I know.

I always love movies that keep you entertained and keep you guessing, and this movie scores a 10 in both. Those who enjoyed The Game, Memento, or The Matrix really should check it out.

Good Will Hunting

 

Sure, this film's plot is fairly predictable. Sure, if you boiled it down to its essential components it wouldn't amount to much. Sure, Will Hunting's genius is profoundly unrealistic.

Yet I'm giving this one 10 out of 10.

I don't know whether Matt and Ben have ever been in therapy, but they certainly understand a lot about the human psyche, how it ducks responsibility, and pushes blame onto others, how it dismisses the real gifts it has and concentrates on running itself down. How many of us suffer from the same problems as Will? Only those who deny their own vulnerability will remain unaffected by this film.

Not only is the script powerful, but the dynamics between the characters - all of them selfish, even Skylar - is vividly and plausibly executed. The film just about manages to avoid easy answers, preferring to acknowledge (indeed, highlight) the complexity and pain of personal growth and self-realisation.

You could read a lot of self-help books, but they won't bring across to you as powerfully as this film what it's like to be scared, what it's like to experience loss, how difficult it is to shake off your old ways of thinking, how important honesty to yourself is. If this is the kind of revelation Matt and Ben are going to come up with, I look forward to their future efforts.

The first time I saw it, I felt moved as the credits rolled. On my way home from the cinema, I felt sombre. When I got home, I finally burst into tears. This film burns slowly, inside you.

As cinema, it's fair to middling. The performances are all first class. The script is a jewel. As wisdom, it's second to none. A fine achievement.

Lord of the Rings: The Return of the King

 


I know its an old movie but as a movie watcher, I tend to become bored with the constant, overdone, overdrawn, underplayed, overdramatized performance and production quality of most Hollywood films. It's a trait that in recent years has sadly driven me away from most big budget American films. A decent idea will become mangled by the money making machine that is Hollywood, hoping to pump the most raw cash they can out of it before it drops dead in the street.

We all saw the catastophre of a failure that arose from the Matrix Franchise. Such immense hype and professed genius only made the failure all the more poignant for those of us that really wanted and expected more from the franchise.

That all being said, I must say that The Lord of the Rings is an amazingly powerful visual experience. Not even just a visual experience. Peter Jackson has crafted one of the finest written pieces of our era into THE quintessential epic. He supplements the brilliant storytelling of JRR Tolkien with one of the most awe-inspiring collection of films ever created.

The 7 hours of film that leads up to the Return of the King is only precursor though, when you sit and watch this film. It's just plain brilliance. Everything about the film is wonderful. The manner in which Jackson has arranged the scenes, detracting slightly from the original flow of the novel really helps to keep the suspense strong in all three story branches. The Tolkien humor is intact perfectly and the gallantry and just plain coolness of these heroes is plain amazing. (Check out Legolas in the BIG battle) It's all just too much for words.

If one were to gripe, and I suppose there will never be a film made that one cannot find a point at which to grip, it is painfully long running time here. I personally believe that this is the only way such a film could be made, true to the source material and completely engrossing, but I found myself more worried about the pain in my posterior than the emotional final minutes after 4 hours (including ads and previews) that I had spent in a cramped seat. As such, this will be all the better (at least for me) when it's release on DVD (can't wait for the extended...get to see the Sauroman scenes that they cut out).

As a film though, this is amazing. A true lasting legacy in story telling and now cinema. Bravo Mr. Jackson.

The Grey

Warning! This is not a date movie, nor a Disney nature pic. Do not take your kids under 16 or so (maybe a mature 14 or 15). Do not take your grandmother. Do not take your faint-of-heart girlfriend. But if you want a kick ass action movie that does not take the usual course of 'action' flicks and, as some of the above reviews state, a movie that will stay with you a while this is it. This movie does not have car chases, nor 'bad guys', so don't go looking for those. This is a movie that gets into your head. Liam Neeson is one of my favorite actors in almost anything he's in, but this role seems tailored to him. Ottway is a broken man at the start of the movie, as he himself says in his first few lines. He works at the end of the world doing a dirty job to protect the scum that have washed up with him there. Yet there is steel in him that only tremendous adversity can bring out. In this movie the cold and frozen landscape is as much a character as any of the supporting cast, and on a par with the wolves to challenge any man. I once saw Neeson as Ethan Frome and I thought that was a bleak, cold landscape. This movie is several degrees bleaker and colder. The supporting cast are great as a batch of misfit men thrust into a situation they have never had any preparation for. This film could have been written by Hemingway and Jack London collaborating with Homer. Do round up bunch of your buddies and go see this movie - oh, and stay till after the credits roll. Seriously.

The Thing 2011

 

Like most, when I heard they were going to remake John Carpenter's The Thing, I got worried. Then I heard the interesting news that it was going to be a prequel, focusing on the Norwegian's story that was alluded to in the first film. I became very curious to see what they would do with it. If you've seen the original movie, you know for a fact there is only ONE way this movie can end. And there are also several key moments that needed to occur in order to keep in tune with the continuity.

Well you know what? Not a single beat was missed. From the red axe in the wall to the two faced creature burned in the snow to even the dog running from the helicopter. IT'S ALL THERE. And it's amazing. This prequel kept the spirit of the original film and a lot of themes while even embellishing and complimenting them. It was excellent. I have never been more pleased by a prequel or even a sequel for that matter.

And I honestly think it's harder to make a prequel, because you have stricter guidelines. But this movie shines as a perfect example of what a proper prequel should look like. Nothing was over looked and every important detail was accounted for. And as people have already stated, the epilogue, mixed with the Carpenter theme is not only awesome, its chilling.

There is nothing wrong with this prequel film and no true Carpenter fan should find a reason to complain. It in no way detracts from the first movie at all.